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    <head>
        <doi_batch_id>N/A</doi_batch_id>
        <timestamp>20260420100207</timestamp>
        <depositor>
            <depositor_name>London Academy of Iranian Studies</depositor_name>
            <email_address>philosophy@iranianstudies.org</email_address>
        </depositor>
        <registrant>London Academy of Iranian Studies</registrant>
    </head>
    <body>
        <journal>
            <journal_metadata language="en">
                <full_title>Transcendent Philosophy: An International Journal For Comparative Philosophy And Mysticism </full_title>
                <abbrev_title>Transcendent Philosophy</abbrev_title>
                <issn media_type="print">1471-3217</issn>
            </journal_metadata>
            <journal_issue>
                <publication_date media_type="print">
                    <year>2024</year>
                </publication_date>
                <journal_volume>
                    <volume>25</volume>
                </journal_volume>
                <issue>36</issue>
            </journal_issue>
            <journal_article publication_type="full_text">
                <titles>
                    <title>Allegory as the Image of Philosophy</title>
                </titles>
                <contributors>
                                                                                                    <person_name sequence="first" contributor_role="author">
                                <given_name>Mahmoud</given_name>
                                <surname>Nuri</surname>
                                <affiliation>Tehran University of Art, Tehran</affiliation>
                            </person_name>
                                                                                                                                                    </contributors>
                <jats:abstract xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1">
                    <jats:p>Farabi was a renowned philosopher having a variety of writings in the fields of metaphysics, political philosophy, ethics, logic, mathematics, and cosmology. He was also a musician and music scholar. Moreover, he is credited with his treatises and commentaries on the original Greek texts. He held that true artists in the ‘Utopia’ should make a variety of images for philosophical issues and divine happiness, distributing them among public. Frank in his article “Castrated Raphael: Friedrich Overbeck and allegory” pointed it out that true art reflects the divine. On the other hand, Suhrawardi, the Persian philosopher and the founder of Illumination school (Maktab al-Ishraq), in his real life, acts as if he is undertaking the role of the ideal artist in Farabi’s Utopia. He has ten allegorical treatises, illustrating his philosophical views through visual metaphors.</jats:p>
                </jats:abstract>
                <publication_date media_type="print">
                    <year>2024</year>
                </publication_date>
                <pages>
                    <first_page>167</first_page>
                    <last_page>180</last_page>
                </pages>
                <doi_data>
                    <doi>pending</doi>
                    <resource>https://iranianstudies.org/transcendent_philosophy/volume-25-number-36/allegory-as-the-image-of-philosophy</resource>
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